Photography 101 – Learning To See

Guadalupe at Sunrise
Guadalupe at Sunrise – Super Takumar 35mm 3.5 @ f8.0
The eyeMy project to use legacy manual lenses for a year has helped me understand things about photography that are obvious to old timers. If you used film cameras and prime lenses even as a student then you probably know how to determine the correct focal length to capture a scene as you visualize the finished image. For most untrained photographers the process is simpler, just plant your feet, zoom the lens and shoot. No regard is given to how a particular focal length will render a scene beyond what is in or out of the frame.

I’ve used both extreme wide angle and telephoto lenses so the concepts of distortion and compression are familiar to me in a general way. Still in the past I would find a convenient spot from which to shoot, zoom in or out until the frame contained the elements I wanted and fire away. Any distortion of the scene was just something to live with in order to get the picture.

Using prime lenses has required me to think more carefully about what is captured by my camera. Not just the elements in the frame but also how the perspective is different from what I see with my eyes. That understanding may be the single most valuable lesson I’ll take away from my project.

The real purpose of a zoom lens is now clear to me. It is a convenient way to select the proper focal length for shooting a scene without changing lenses. The photographer drives the process by visualizing the finished image then selecting the proper focal length to capture the scene. It is so simple.

I read about visualization and lens selection countless times over the years but incorrectly using zoom lenses kept me from fully grasping these important concepts. Understanding why to select a particular lens focal length is a milestone for my photography. With luck I will learn many more ways improve my image making in the next year.

Memorial Day

Memorial Day Vigilance
Memorial Day Vigilance – Zuiko 28mm 3.5 @ f8.0
Memorial Day in the Texas Hill country is the same as most places in the United States. We spend time remembering sacrifices made by our fellow citizens but also enjoying the day with family. We have learned maintain a certain vigilance that keeps us alert even in peaceful rural surroundings. Our way of living seems on a knife edge.

The Right Legacy Lenses

Rust Hardware
Rust Hardware – Zuiko 35mm 3.5 @ f3.5
Since getting involved with mirrorless cameras several years ago I have tried to use legacy lenses a few times with decidedly mixed results. My cameras didn’t support non-system lenses very well and my skills using manual exposure modes was lacking. Certainly it is difficult to use legacy lenses effectively without investing time to understand how to do manual exposure. If you find yourself in a similar position my advice is to shoot with a cheap manual exposure only film camera and 50mm lens for a few months. You will learn everything necessary to operate a camera effectively or it will help you decide to find another hobby.

My newly acquired Sony A7II has the best support I’ve encountered for shooting with legacy lenses. It has a lens mount that supports a huge range of adapters, a great electronic viewfinder, good camera customization options and most importantly excellent focusing aids. These cameras have the right mix of tools for using non-system lenses.

Once you have the right camera you have to decide which legacy lenses to use. Actually this has been difficult for me. I started out with the idea of using some Olympus OM glass I already owned. I will have to expand my reach to other lens makers in order to get the best possible image quality for the least cost. The problem is objective information about legacy lens quality is surprisingly hard to find.

If you want good to excellent glass at a good price you have to do some homework. High end legacy glass users only recommend high end lenses and gearheads will use anything at all. To help find the right glass at the right price I expanded my reach by purchasing an M42 lens adapter. Using the M42 mount gives me the option of trying out literally hundreds of different lenses from more than a dozen makers. To put one toe in the water I bought a cheap Super Takumar 35mm 3.5 lens on EBay the other day. I suspect this will be the first of many M42 lenses I’ll try over the next year.

After the Flood
After the Flood – Zuiko 35mm 3.5 @ f3.5